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The Works of Edgar Allan Poe Raven Edition Volume 1

THE MYSTERY OF MARIE ROGET.

page 27 of 27 | page 1 | The Works of Edgar Allan Poe Volume 1

Complete Stories and Poems of Edgar Allan Poe

I repeat, then, that I speak of these things only as of coincidences. And farther: in what I relate it will be seen that between the fate of the unhappy Mary Cecilia Rogers, so far as that fate is known, and the fate of one Marie Rogêt up to a certain epoch in her history, there has existed a parallel in the contemplation of whose wonderful exactitude the reason becomes embarrassed. I say all this will be seen. But let it not for a moment be supposed that, in proceeding with the sad narrative of Marie from the epoch just mentioned, and in tracing to its dénouement the mystery which enshrouded her, it is my covert design to hint at an extension of the parallel, or even to suggest that the measures adopted in Paris for the discovery of the assassin of a grisette, or measures founded in any similar ratiocination, would produce any similar result.

For, in respect to the latter branch of the supposition, it should be considered that the most trifling variation in the facts of the two cases might give rise to the most important miscalculations, by diverting thoroughly the two courses of events; very much as, in arithmetic, an error which, in its own individuality, may be inappreciable, produces, at length, by dint of multiplication at all points of the process, a result enormously at variance with truth. And, in regard to the former branch, we must not fail to hold in view that the very Calculus of Probabilities to which I have referred, forbids all idea of the extension of the parallel: - forbids it with a positiveness strong and decided just in proportion as this parallel has already been long-drawn and exact. This is one of those anomalous propositions which, seemingly appealing to thought altogether apart from the mathematical, is yet one which only the mathematician can fully entertain. Nothing, for example, is more difficult than to convince the merely general reader that the fact of sixes having been thrown twice in succession by a player at dice, is sufficient cause for betting the largest odds that sixes will not be thrown in the third attempt. A suggestion to this effect is usually rejected by the intellect at once. It does not appear that the two throws which have been completed, and which lie now absolutely in the Past, can have influence upon the throw which exists only in the Future. The chance for throwing sixes seems to be precisely as it was at any ordinary time - that is to say, subject only to the influence of the various other throws which may be made by the dice. And this is a reflection which appears so exceedingly obvious that attempts to controvert it are received more frequently with a derisive smile than with anything like respectful attention. The error here involved - a gross error redolent of mischief - I cannot pretend to expose within the limits assigned me at present; and with the philosophical it needs no exposure. It may be sufficient here to say that it forms one of an infinite series of mistakes which arise in the path or Reason through her propensity for seeking truth in detail.

~~~ End of Text ~~~

FOOTNOTES--Marie Rogêt

{*1} Upon the original publication of "Marie Roget," the foot-notes now appended were considered unnecessary; but the lapse of several years since the tragedy upon which the tale is based, renders it expedient to give them, and also to say a few words in explanation of the general design. A young girl, Mary Cecilia Rogers, was murdered in the vicinity of New York; and, although her death occasioned an intense and long-enduring excitement, the mystery attending it had remained unsolved at the period when the present paper was written and published (November, 1842). Herein, under pretence of relating the fate of a Parisian grisette, the author has followed in minute detail, the essential, while merely paralleling the inessential facts of the real murder of Mary Rogers. Thus all argument founded upon the fiction is applicable to the truth: and the investigation of the truth was the object. The "Mystery of Marie Roget" was composed at a distance from the scene of the atrocity, and with no other means of investigation than the newspapers afforded. Thus much escaped the writer of which he could have availed himself had he been upon the spot, and visited the localities. It may not be improper to record, nevertheless, that the confessions of two persons, (one of them the Madame Deluc of the narrative) made, at different periods, long subsequent to the publication, confirmed, in full, not only the general conclusion, but absolutely all the chief hypothetical details by which that conclusion was attained.

{*2} The nom de plume of Von Hardenburg.

{*3} Nassau Street.

{*4} Anderson.

{*5} The Hudson.

{*6} Weehawken.

{*7} Payne.

{*8} Crommelin.

{*9} The New York "Mercury."

(*10} The New York "Brother Jonathan," edited by H. Hastings Weld, Esq.

{*11} New York "Journal of Commerce."

{*12} Philadelphia "Saturday Evening Post," edited by C. I. Peterson, Esq.

{*13} Adam

{*14} See "Murders in the Rue Morgue."

{*15} The New York "Commercial Advertiser," edited by Col. Stone.

{*16} "A theory based on the qualities of an object, will prevent its being unfolded according to its objects; and he who arranges topics in reference to their causes, will cease to value them according to their results. Thus the jurisprudence of every nation will show that, when law becomes a science and a system, it ceases to be justice. The errors into which a blind devotion to principles of classification has led the common law, will be seen by observing how often the legislature has been obliged to come forward to restore the equity its scheme had lost." - Landor.

{*17} New York "Express"

{*18} NewYork "Herald."

{*19} New York "Courier and Inquirer."

{*20} Mennais was one of the parties originally suspected and arrested, but discharged through total lack of evidence.

{*21} New York "Courier and Inquirer."

{*22} New York "Evening Post."

{*23} Of the Magazine in which the article was originally published.

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