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The Haunters and the Haunted edited by Ernest Rhys online

The Haunters and the Haunted edited by Ernest Rhys

Ghost Stories And Tales Of The Supernatural

I. GHOST STORIES FROM LITERARY SOURCES
1. THE FALL OF THE HOUSE OF USHER
2. THE OLD NURSE'S STORY
3. THE SUPERSTITIOUS MAN'S STORY
4. A STORY OF RAVENNA
5. TEIG O'KANE AND THE CORPSE
6. THE HAUNTED AND THE HAUNTERS: OR THE HOUSE AND THE BRAIN
7. THE BOTATHEN GHOST
8. THE GHOST OF LORD CLARENCEUX
9. DR DUTHOIT'S VISION
10. THE SEVEN LIGHTS
11. THE SPECTRAL COACH OF BLACKADON
12. DRAKE'S DRUM
13. THE SPECTRE BRIDEGROOM
14. THE POOL IN THE GRAVEYARD
15. THE LIANHAN SHEE
16. THE HAUNTED COVE
17. WANDERING WILLIE'S TALE

II. GHOST STORIES FROM LOCAL RECORDS, FOLK LORE, AND LEGEND
18. GLAMIS CASTLE
19. POWYS CASTLE
20. CROGLIN GRANGE
21. THE GHOST OF MAJOR SYDENHAM
22. THE MIRACULOUS CASE OF JESCH CLAES
23. THE RADIANT BOY OF CORBY CASTLE
24. CLERK SAUNDERS
25. DOROTHY DURANT
26. PEARLIN JEAN
27. THE DENTON HALL GHOST
28. THE GOODWOOD GHOST STORY
29. CAPTAIN WHEATCROFT
30. THE IRON CAGE
31. THE GHOST OF ROSEWARNE
32. THE IRON CHEST OF DURLEY
33. THE STRANGE CASE OF M. BEZUEL
34. THE MARQUIS DE RAMBOUILLET
35. THE ALTHEIM REVENANT
36. SERTORIUS AND HIS HIND
37. ERICHTHO

III. OMENS AND PHANTASMS
38. PATROKLOS
39. VISION OF CROMWELL
40. LORD STRAFFORD'S WARNING
41. KOTTER'S RED CIRCLE
42. THE VISION OF CHARLES XI. OF SWEDEN
43. BEN JONSON'S PREVISION
44. QUEEN ULRICA
45. DENIS MISANGER
46. THE PIED PIPER
47. JEANNE D'ARC
48. ANNE WALKER
49. THE HAND OF GLORY
50. THE BLOODY FOOTSTEP
51. THE GHOSTLY WARRIORS OF WORMS
52. THE WANDERING JEW IN ENGLAND
53. BENDITH EU MAMMAU
54. THE RED BOOK OF APPIN
55. THE GOOD O'DONOGHUE
56. SARAH POLGRAIN
57. ELEANOR COBHAM, DUCHESS OF GLOUCESTER

EDITED WITH AN INTRODUCTION BY ERNEST RHYS

PUBLISHED IN LONDON BY DANIEL O'CONNOR, 90 GREAT RUSSELL STREET, W.C.1. 1921

For permission to use copyright stories in this volume, the editor and publishers wish to make special acknowledgments to Messrs Allen & Unwin, Mr Arnold Bennett, Mr E.H. Blakeney, Sir George Douglas, Bart., Dr Greville MacDonald, Mr Arthur Machen, and Mr Thomas Hardy.

INTRODUCTION

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In this Ghost Book, M. Larigot, himself a writer of supernatural tales, has collected a remarkable batch of documents, fictive or real, describing the one human experience that is hardest to make good. Perhaps the very difficulty of it has rendered it more tempting to the writers who have dealt with the subject. His collection, notably varied and artfully chosen as it is, yet by no means exhausts the literature, which fills a place apart with its own recognised classics, magic masters, and dealers in the occult. Their testimony serves to show that the forms by which men and women are haunted are far more diverse and subtle than we knew. So much so, that one begins to wonder at last if every person is not liable to be "possessed." For, lurking under the seeming identity of these visitations, the dramatic differences of their entrances and appearances, night and day, are so marked as to suggest that the experience is, given the fit temperament and occasion, inevitable.

One would even be disposed, accepting this idea, to bring into the account, as valid, stories and pieces of literature not usually accounted part of the ghostly canon. There are the novels and tales whose argument is the tragedy of a haunted mind. Such are Dickens' _Haunted Man_, in which the ghost is memory; Hawthorne's _Scarlet Letter_, in which the ghost is cruel conscience; and Balzac's _Quest of the Absolute_, in which the old Flemish house of Balthasar Claes, in the Rue de Paris at Douai, is haunted by a dæmon more potent than that of Canidia. One might add some of Balzac's shorter stories, among them "The Elixir"; and some of Hawthorne's _Twice-Told Tales_, including "Edward Randolph's Portrait." On the French side we might note too that terrible graveyard tale of Guy de Maupassant, _La Morte_, in which the lover who has lost his beloved keeps vigil at her grave by night in his despair, and sees--dreadful resurrection--"que toutes les tombes étaient ouvertes, et tous les cadavres en étaient sortis." And why? That they might efface the lying legends inscribed on their tombs, and replace them with the actual truth. Villiers de l'Isle Adam has in his _Contes Cruels_ given us the strange story of Véra, which may be read as a companion study to _La Morte_, with another recall from the dead to end a lover's obsession. Nature and supernature cross in de l'Isle Adam's mystical drama _Axël_ a play which will never hold the stage, masterly attempt as it is to dramatise the inexplainable mystery.

Among later tales ought to be reckoned Edith Wharton's _Tales of Men and Ghosts_, and Henry James's _The Two Magics_, whose "Turn of the Screw" gives us new instances of the evil genii that haunt mortals, in this case two innocent children. One remembers sundry folk-tales with the same motive--of children bewitched or forespoken--inspiring them. And an old charm in Orkney which used to run:

"Father, Son, Holy Ghost!
Bitten sall they be,
Bairn, wha have bitten thee!
Care to their black vein,
Till thou hast thy health again!
Mend thou in God's name!"

John Aubrey in his _Miscellanies_ has many naïve evidences of the twilight region of consciousness, like that between wake and sleep, which tends to fade when we are wideawake; so much so, that we call it visionary. Yet it is very real to the haunted folk, to Aubrey's correspondent, the Rector of Chedzoy, or to the false love of the Demon Lover, or that Mr Bourne of whom Glanvil tells in _The Iron Chest of Durley_, or the Bishop Evodius who was St Augustine's friend, or for that matter the son of Monica himself. The reality of these visitations may seem dim, but the most sceptical of us cannot doubt that, whether from some quickened fear of death or impending disaster, from evil conscience or swift intensification of vision; whether in the forms of beloved sons lost at sea or of other revenants who were held indispensably dear in life, the haunters have appeared, to the absolute belief of those who saw them or their simulacra.

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