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The Empty House and Other Ghost Stories (Algernon Blackwood) online
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SKELETON LAKE: AN EPISODE IN CAMP
Then it all came about so quickly, and the tragedy of it was so unexpected and painful, throwing our peaceful camp into momentary confusion, that now it all seems to have happened with the uncanny swiftness of a dream.
First, there was the abrupt ceasing of the droning voice, and then the running of quick little steps over the pine needles, and the confusion of men's voices; and the next instant the professor's wife was at the tent door, hatless, her face white, her hunting bloomers bagging at the wrong places, a rifle in her hand, and her words running into one another anyhow.
"Quick, Harry! It's Rushton. I was asleep and it woke me. Something's happened. You must deal with it!"
In a second we were outside the tent with our rifles.
"My God!" I heard the professor exclaim, as if he had first made the discovery. "It _is_ Rushton!"
I saw the guides helping--dragging--a man out of a canoe. A brief space of deep silence followed in which I heard only the waves from the canoe washing up on the sand; and then, immediately after, came the voice of a man talking with amazing rapidity and with odd gaps between his words. It was Rushton telling his story, and the tones of his voice, now whispering, now almost shouting, mixed with sobs and solemn oaths and frequent appeals to the Deity, somehow or other struck the false note at the very start, and before any of us guessed or knew anything at all. Something moved secretly between his words, a shadow veiling the stars, destroying the peace of our little camp, and touching us all personally with an undefinable sense of horror and distrust.
I can see that group to this day, with all the detail of a good photograph: standing half-way between the firelight and the darkness, a slight mist rising from the lake, the frosty stars, and our men, in silence that was all sympathy, dragging Rushton across the rocks towards the camp fire. Their moccasins crunched on the sand and slipped several times on the stones beneath the weight of the limp, exhausted body, and I can still see every inch of the pared cedar branch he had used for a paddle on that lonely and dreadful journey.
But what struck me most, as it struck us all, was the limp exhaustion of his body compared to the strength of his utterance and the tearing rush of his words. A vigorous driving-power was there at work, forcing out the tale, red-hot and throbbing, full of discrepancies and the strangest contradictions; and the nature of this driving-power I first began to appreciate when they had lifted him into the circle of firelight and I saw his face, grey under the tan, terror in the eyes, tears too, hair and beard awry, and listened to the wild stream of words pouring forth without ceasing.
I think we all understood then, but it was only after many years that anyone dared to confess what he thought.
There was Matt Morris, my guide; Silver Fizz, whose real name was unknown, and who bore the title of his favourite drink; and huge Hank Milligan--all ears and kind intention; and there was Rushton, pouring out his ready-made tale, with ever-shifting eyes, turning from face to face, seeking confirmation of details none had witnessed but himself--and _one other_.
Silver Fizz was the first to recover from the shock of the thing, and to realise, with the natural sense of chivalry common to most genuine back-woodsmen, that the man was at a terrible disadvantage. At any rate, he was the first to start putting the matter to rights.