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A Thin Ghost and Others (M. R. - Montague Rhodes - James) online
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THE STORY OF A DISAPPEARANCE AND AN APPEARANCE
Now why, you will want to know, do I trouble to write all this to you? I am obliged to do it, because it has something to do with another absurd trifle (as you will inevitably say), which in my present state of rather unquiet fancy--nothing more, perhaps--I have to put down. It is a dream, sir, which I am going to record, and I must say it is one of the oddest I have had. Is there anything in it beyond what the bagman's talk and Uncle Henry's disappearance could have suggested? You, I repeat, shall judge: I am not in a sufficiently cool and judicial frame to do so.
It began with what I can only describe as a pulling aside of curtains: and I found myself seated in a place--I don't know whether in doors or out. There were people--only a few--on either side of me, but I did not recognize them, or indeed think much about them. They never spoke, but, so far as I remember, were all grave and pale-faced and looked fixedly before them. Facing me there was a Punch and Judy Show, perhaps rather larger than the ordinary ones, painted with black figures on a reddish-yellow ground. Behind it and on each side was only darkness, but in front there was a sufficiency of light. I was "strung up" to a high degree of expectation and listened every moment to hear the panpipes and the Roo-too-too-it. Instead of that there came suddenly an enormous--I can use no other word--an enormous single toll of a bell, I don't know from how far off--somewhere behind. The little curtain flew up and the drama began.
I believe someone once tried to re-write Punch as a serious tragedy; but whoever he may have been, this performance would have suited him exactly. There was something Satanic about the hero. He varied his methods of attack: for some of his victims he lay in wait, and to see his horrible face--it was yellowish white, I may remark--peering round the wings made me think of the Vampyre in Fuseli's foul sketch. To others he was polite and carneying--particularly to the unfortunate alien who can only say _Shallabalah_--though what Punch said I never could catch. But with all of them I came to dread the moment of death. The crack of the stick on their skulls, which in the ordinary way delights me, had here a crushing sound as if the bone was giving way, and the victims quivered and kicked as they lay. The baby--it sounds more ridiculous as I go on--the baby, I am sure, was alive. Punch wrung its neck, and if the choke or squeak which it gave were not real, I know nothing of reality.
The stage got perceptibly darker as each crime was consummated, and at last there was one murder which was done quite in the dark, so that I could see nothing of the victim, and took some time to effect. It was accompanied by hard breathing and horrid muffled sounds, and after it Punch came and sat on the foot-board and fanned himself and looked at his shoes, which were bloody, and hung his head on one side, and sniggered in so deadly a fashion that I saw some of those beside me cover their faces, and I would gladly have done the same. But in the meantime the scene behind Punch was clearing, and showed, not the usual house front, but something more ambitious--a grove of trees and the gentle slope of a hill, with a very natural--in fact, I should say a real--moon shining on it. Over this there rose slowly an object which I soon perceived to be a human figure with something peculiar about the head--what, I was unable at first to see. It did not stand on its feet, but began creeping or dragging itself across the middle distance towards Punch, who still sat back to it; and by this time, I may remark (though it did not occur to me at the moment) that all pretence of this being a puppet show had vanished. Punch was still Punch, it is true, but, like the others, was in some sense a live creature, and both moved themselves at their own will.