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A Thin Ghost and Others (M. R. - Montague Rhodes - James) online

A Thin Ghost and Others

THE RESIDENCE AT WHITMINSTER

A letter from Miss Oldys to a friend in Lichfield, begun a day or two before, is the next source for this story. It is not devoid of traces of the influence of that leader of female thought in her day, Miss Anna Seward, known to some as the Swan of Lichfield.

"My sweetest Emily will be rejoiced to hear that we are at length--my beloved uncle and myself--settled in the house that now calls us master--nay, master and mistress--as in past ages it has called so many others. Here we taste a mingling of modern elegance and hoary antiquity, such as has never ere now graced life for either of us. The town, small as it is, affords us some reflection, pale indeed, but veritable, of the sweets of polite intercourse: the adjacent country numbers amid the occupants of its scattered mansions some whose polish is annually refreshed by contact with metropolitan splendour, and others whose robust and homely geniality is, at times, and by way of contrast, not less cheering and acceptable. Tired of the parlours and drawing-rooms of our friends, we have ready to hand a refuge from the clash of wits or the small talk of the day amid the solemn beauties of our venerable minster, whose silvern chimes daily 'knoll us to prayer,' and in the shady walks of whose tranquil graveyard we muse with softened heart, and ever and anon with moistened eye, upon the memorials of the young, the beautiful, the aged, the wise, and the good."

Here there is an abrupt break both in the writing and the style.

"But my dearest Emily, I can no longer write with the care which you deserve, and in which we both take pleasure. What I have to tell you is wholly foreign to what has gone before. This morning my uncle brought in to breakfast an object which had been found in the garden; it was a glass or crystal tablet of this shape (a little sketch is given), which he handed to me, and which, after he left the room, remained on the table by me. I gazed at it, I know not why, for some minutes, till called away by the day's duties; and you will smile incredulously when I say that I seemed to myself to begin to descry reflected in it objects and scenes which were not in the room where I was. You will not, however, be surprised that after such an experience I took the first opportunity to seclude myself in my room with what I now half believed to be a talisman of mickle might. I was not disappointed. I assure you, Emily, by that memory which is dearest to both of us, that what I went through this afternoon transcends the limits of what I had before deemed credible. In brief, what I saw, seated in my bedroom, in the broad daylight of summer, and looking into the crystal depth of that small round tablet, was this. First, a prospect, strange to me, of an enclosure of rough and hillocky grass, with a grey stone ruin in the midst, and a wall of rough stones about it. In this stood an old, and very ugly, woman in a red cloak and ragged skirt, talking to a boy dressed in the fashion of maybe a hundred years ago. She put something which glittered into his hand, and he something into hers, which I saw to be money, for a single coin fell from her trembling hand into the grass. The scene passed--I should have remarked, by the way, that on the rough walls of the enclosure I could distinguish bones, and even a skull, lying in a disorderly fashion. Next, I was looking upon two boys; one the figure of the former vision, the other younger. They were in a plot of garden, walled round, and this garden, in spite of the difference in arrangement, and the small size of the trees, I could clearly recognize as being that upon which I now look from my window. The boys were engaged in some curious play, it seemed. Something was smouldering on the ground. The elder placed his hands upon it, and then raised them in what I took to be an attitude of prayer: and I saw, and started at seeing, that on them were deep stains of blood. The sky above was overcast. The same boy now turned his face towards the wall of the garden, and beckoned with both his raised hands, and as he did so I was conscious that some moving objects were becoming visible over the top of the wall--whether heads or other parts of some animal or human forms I could not tell. Upon the instant the elder boy turned sharply, seized the arm of the younger (who all this time had been poring over what lay on the ground), and both hurried off. I then saw blood upon the grass, a little pile of bricks, and what I thought were black feathers scattered about. That scene closed, and the next was so dark that perhaps the full meaning of it escaped me. But what I seemed to see was a form, at first crouching low among trees or bushes that were being threshed by a violent wind, then running very swiftly, and constantly turning a pale face to look behind him, as if he feared a pursuer: and, indeed, pursuers were following hard after him. Their shapes were but dimly seen, their number--three or four, perhaps, only guessed. I suppose they were on the whole more like dogs than anything else, but dogs such as we have seen they assuredly were not. Could I have closed my eyes to this horror, I would have done so at once, but I was helpless. The last I saw was the victim darting beneath an arch and clutching at some object to which he clung: and those that were pursuing him overtook him, and I seemed to hear the echo of a cry of despair. It may be that I became unconscious: certainly I had the sensation of awaking to the light of day after an interval of darkness. Such, in literal truth, Emily, was my vision--I can call it by no other name--of this afternoon. Tell me, have I not been the unwilling witness of some episode of a tragedy connected with this very house?"

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