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Ghost Stories of an Antiquary (M R James) online
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THE MEZZOTINT
Sleep visited him rather late; but it was consoling to reflect that the behaviour of the picture did not depend upon his own unsupported testimony. Evidently the man who had looked at it the night before had seen something of the same kind as he had, otherwise he might have been tempted to think that something gravely wrong was happening either to his eyes or his mind. This possibility being fortunately precluded, two matters awaited him on the morrow. He must take stock of the picture very carefully, and call in a witness for the purpose, and he must make a determined effort to ascertain what house it was that was represented. He would therefore ask his neighbour Nisbet to breakfast with him, and he would subsequently spend a morning over the gazetteer.
Nisbet was disengaged, and arrived about 9.20. His host was not quite dressed, I am sorry to say, even at this late hour. During breakfast nothing was said about the mezzotint by Williams, save that he had a picture on which he wished for Nisbet's opinion. But those who are familiar with University life can picture for themselves the wide and delightful range of subjects over which the conversation of two Fellows of Canterbury College is likely to extend during a Sunday morning breakfast. Hardly a topic was left unchallenged, from golf to lawn-tennis. Yet I am bound to say that Williams was rather distraught; for his interest naturally centred in that very strange picture which was now reposing, face downwards, in the drawer in the room opposite.
The morning pipe was at last lighted, and the moment had arrived for which he looked. With very considerable--almost tremulous--excitement he ran across, unlocked the drawer, and, extracting the picture--still face downwards--ran back, and put it into Nisbet's hands.
'Now,' he said, 'Nisbet, I want you to tell me exactly what you see in that picture. Describe it, if you don't mind, rather minutely. I'll tell you why afterwards.'
'Well,' said Nisbet, 'I have here a view of a country-house--English, I presume--by moonlight.'
'Moonlight? You're sure of that?'
'Certainly. The moon appears to be on the wane, if you wish for details, and there are clouds in the sky.'
'All right. Go on. I'll swear,' added Williams in an aside, 'there was no moon when I saw it first.'
'Well, there's not much more to be said,' Nisbet continued. 'The house has one--two--three rows of windows, five in each row, except at the bottom, where there's a porch instead of the middle one, and--'
'But what about figures?' said Williams, with marked interest.
'There aren't any,' said Nisbet; 'but--'
'What! No figure on the grass in front?'
'Not a thing.'
'You'll swear to that?'
'Certainly I will. But there's just one other thing.'
'What?'
'Why, one of the windows on the ground-floor--left of the door--is open.'
'Is it really so? My goodness! he must have got in,' said Williams, with great excitement; and he hurried to the back of the sofa on which Nisbet was sitting, and, catching the picture from him, verified the matter for himself.
It was quite true. There was no figure, and there was the open window. Williams, after a moment of speechless surprise, went to the writing-table and scribbled for a short time. Then he brought two papers to Nisbet, and asked him first to sign one--it was his own description of the picture, which you have just heard--and then to read the other which was Williams's statement written the night before.
'What can it all mean?' said Nisbet.
'Exactly,' said Williams. 'Well, one thing I must do--or three things, now I think of it. I must find out from Garwood'--this was his last night's visitor--'what he saw, and then I must get the thing photographed before it goes further, and then I must find out what the place is.'