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The Haunters and the Haunted edited by Ernest Rhys online
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VI THE HAUNTED AND THE HAUNTERS: OR THE HOUSE AND THE BRAIN
My eye now rested on the table, and from under the table (which was without cloth or cover--an old mahogany round table) there rose a hand, visible as far as the wrist. It was a hand, seemingly, as much of flesh and blood as my own, but the hand of an aged person--lean, wrinkled, small too--a woman's hand.
That hand very softly closed on the two letters that lay on the table: hand and letters both vanished. There then came the same three loud measured knocks I had heard at the bed-head before this extraordinary drama had commenced.
As those sounds slowly ceased, I felt the whole room vibrate sensibly; and at the far end there rose, as from the floor, sparks or globules like bubbles of light, many-coloured--green, yellow, fire-red, azure. Up and down, to and fro, hither, thither, as tiny will-o'-the-wisps, the sparks moved, slow or swift, each at its own caprice. A chair (as in the drawing-room below) was now advanced from the wall without apparent agency, and placed at the opposite side of the table. Suddenly, as forth from the chair, there grew a shape--a woman's shape. It was distinct as a shape of life--ghastly as a shape of death. The face was that of youth, with a strange mournful beauty; the throat and shoulders were bare, the rest of the form in a loose robe of cloudy white. It began sleeking its long yellow hair, which fell over its shoulders; its eyes were not turned towards me, but to the door; it seemed listening, watching, waiting. The shadow of the shade in the background grew darker; and again I thought I beheld the eyes gleaming out from the summit of the shadow--eyes fixed upon that shape.
As if from the door, though it did not open, there grew out another shape equally distinct, equally ghastly--a man's shape--a young man's. It was in the dress of the last century, or rather in a likeness of such dress; for both the male shape and the female, though defined, were evidently unsubstantial, impalpable--simulacra--phantasms; and there was something incongruous, grotesque, yet fearful, in the contrast between the elaborate finery, the courtly precision of that old-fashioned garb, with its ruffles and lace and buckles, and the corpse-like aspect and ghost-like stillness of the flitting wearer. Just as the male shape approached the female, the dark Shadow started from the wall, all three for a moment wrapped in darkness. When the pale light returned, the two phantoms were as if in the grasp of the Shadow that towered between them; and there was a bloodstain on the breast of the female; and the phantom-male was leaning on its phantom-sword, and blood seemed trickling fast from the ruffles, from the lace; and the darkness of the intermediate Shadow swallowed them up--they were gone. And again the bubbles of light shot, and sailed, and undulated, growing thicker and thicker and more wildly confused in their movements.
The closet-door to the right of the fireplace now opened, and from the aperture there came the form of a woman, aged. In her hand she held letters--the very letters over which I had seen _the_ Hand close; and behind her I heard a footstep. She turned round as if to listen, then she opened the letters and seemed to read; and over her shoulder I saw a livid face, the face as of a man long drowned--bloated, bleached--seaweed tangled in its dripping hair; and at her feet lay a form as of a corpse and beside the corpse there cowered a child, a miserable, squalid child, with famine in its cheeks and fear in its eyes. And as I looked in the old woman's face, the wrinkles and lines vanished, and it became a face of youth--hard-eyed, stony, but still youth; and the Shadow darted forth, and darkened over these phantoms as it had darkened over the last.