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The Empty House and Other Ghost Stories (Algernon Blackwood) online
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THE STRANGE ADVENTURES OF A PRIVATE SECRETARY IN NEW YORK
As he stood in the porch, between pillars of rotting wood, listening to the rain dripping from the roof into the puddles of slushy snow, he was conscious of a sensation of utter desertion and loneliness such as he had never before experienced. The forbidding aspect of the house had the immediate effect of lowering his spirits. It might well have been the abode of monsters or demons in a child's wonder tale, creatures that only dared to come out under cover of darkness. He groped for the bell-handle, or knocker, and finding neither, he raised his stick and beat a loud tattoo on the door. The sound echoed away in an empty space on the other side and the wind moaned past him between the pillars as if startled at his audacity. But there was no sound of approaching footsteps and no one came to open the door. Again he beat a tattoo, louder and longer than the first one; and, having done so, waited with his back to the house and stared across the unkempt garden into the fast gathering shadows.
Then he turned suddenly, and saw that the door was standing ajar. It had been quietly opened and a pair of eyes were peering at him round the edge. There was no light in the hall beyond and he could only just make out the shape of a dim human face.
"Does Mr. Garvey live here?" he asked in a firm voice.
"Who are you?" came in a man's tones.
"I'm Mr. Sidebotham's private secretary. I wish to see Mr. Garvey on important business."
"Are you expected?"
"I suppose so," he said impatiently, thrusting a card through the opening. "Please take my name to him at once, and say I come from Mr. Sidebotham on the matter Mr. Garvey wrote about."
The man took the card, and the face vanished into the darkness, leaving Shorthouse standing in the cold porch with mingled feelings of impatience and dismay. The door, he now noticed for the first time, was on a chain and could not open more than a few inches. But it was the manner of his reception that caused uneasy reflections to stir within him--reflections that continued for some minutes before they were interrupted by the sound of approaching footsteps and the flicker of a light in the hall.
The next instant the chain fell with a rattle, and gripping his bag tightly, he walked into a large ill-smelling hall of which he could only just see the ceiling. There was no light but the nickering taper held by the man, and by its uncertain glimmer Shorthouse turned to examine him. He saw an undersized man of middle age with brilliant, shifting eyes, a curling black beard, and a nose that at once proclaimed him a Jew. His shoulders were bent, and, as he watched him replacing the chain, he saw that he wore a peculiar black gown like a priest's cassock reaching to the feet. It was altogether a lugubrious figure of a man, sinister and funereal, yet it seemed in perfect harmony with the general character of its surroundings. The hall was devoid of furniture of any kind, and against the dingy walls stood rows of old picture frames, empty and disordered, and odd-looking bits of wood-work that appeared doubly fantastic as their shadows danced queerly over the floor in the shifting light.
"If you'll come this way, Mr. Garvey will see you presently," said the Jew gruffly, crossing the floor and shielding the taper with a bony hand. He never once raised his eyes above the level of the visitor's waistcoat, and, to Shorthouse, he somehow suggested a figure from the dead rather than a man of flesh and blood. The hall smelt decidedly ill.