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The Empty House and Other Ghost Stories (Algernon Blackwood) online

Best Ghost Stories of Algernon Blackwood

THE STRANGE ADVENTURES OF A PRIVATE SECRETARY IN NEW YORK

"I'm glad of that; for it frightens _me_ a good deal sometimes."

Shorthouse feigned indifference. Yet he was aware that his heart was beating a little quicker and that there was a sensation of chilliness in his back. He waited in silence for what was to come.

"He has a horrible predilection for vacuums," Garvey went on presently in a still lower voice and thrusting his face farther forward under the lamp.

"Vacuums!" exclaimed the secretary in spite of himself. "What in the world do you mean?"

"What I say of course. He's always tumbling into them, so that I can't find him or get at him. He hides there for hours at a time, and for the life of me I can't make out what he does there."

Shorthouse stared his companion straight in the eyes. What in the name of Heaven was he talking about?

"Do you suppose he goes there for a change of air, or--or to escape?" he went on in a louder voice.

Shorthouse could have laughed outright but for the expression of the other's face.

"I should not think there was much air of any sort in a vacuum," he said quietly.

"That's exactly what _I_ feel," continued Garvey with ever growing excitement. "That's the horrid part of it. How the devil does he live there? You see--"

"Have you ever followed him there?" interrupted the secretary. The other leaned back in his chair and drew a deep sigh.

"Never! It's impossible. You see I can't follow him. There's not room for two. A vacuum only holds one comfortably. Marx knows that. He's out of my reach altogether once he's fairly inside. He knows the best side of a bargain. He's a regular Jew."

"That is a drawback to a servant, of course--" Shorthouse spoke slowly, with his eyes on his plate.

"A drawback," interrupted the other with an ugly chuckle, "I call it a draw-in, that's what I call it."

"A draw-in does seem a more accurate term," assented Shorthouse. "But," he went on, "I thought that nature abhorred a vacuum. She used to, when I was at school--though perhaps--it's so long ago--"

He hesitated and looked up. Something in Garvey's face--something he had _felt_ before he looked up--stopped his tongue and froze the words in his throat. His lips refused to move and became suddenly dry. Again the mist rose before his eyes and the appalling shadow dropped its veil over the face before him. Garvey's features began to burn and glow. Then they seemed to coarsen and somehow slip confusedly together. He stared for a second--it seemed only for a second--into the visage of a ferocious and abominable animal; and then, as suddenly as it had come, the filthy shadow of the beast passed off, the mist melted out, and with a mighty effort over his nerves he forced himself to finish his sentence.

"You see it's so long since I've given attention to such things," he stammered. His heart was beating rapidly, and a feeling of oppression was gathering over it.

"It's my peculiar and special study on the other hand," Garvey resumed. "I've not spent all these years in my laboratory to no purpose, I can assure you. Nature, I know for a fact," he added with unnatural warmth, "does _not_ abhor a vacuum. On the contrary, she's uncommonly fond of 'em, much too fond, it seems, for the comfort of my little household. If there were fewer vacuums and more abhorrence we should get on better--a damned sight better in my opinion."

"Your special knowledge, no doubt, enables you to speak with authority," Shorthouse said, curiosity and alarm warring with other mixed feelings in his mind; "but how _can_ a man tumble into a vacuum?"

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