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The Empty House and Other Ghost Stories (Algernon Blackwood) online
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THE WOOD OF THE DEAD
"To call away someone," he went on in the same thrilling voice, "someone who is not quite ready to come, but who is needed elsewhere for a worthier purpose." There was a sadness in his manner that mystified me more than ever.
"You mean--?" I began, with an unaccountable access of trembling.
"I have come for someone who must soon move, even as I have moved."
He looked me through and through with a dreadfully piercing gaze, but I met his eyes with a full straight stare, trembling though I was, and I was aware that something stirred within me that had never stirred before, though for the life of me I could not have put a name to it, or have analysed its nature. Something lifted and rolled away. For one single second I understood clearly that the past and the future exist actually side by side in one immense Present; that it was _I_ who moved to and fro among shifting, protean appearances.
The old man dropped his eyes from my face, and the momentary glimpse of a mightier universe passed utterly away. Reason regained its sway over a dull, limited kingdom.
"Come to-night," I heard the old man say, "come to me to-night into the Wood of the Dead. Come at midnight--"
Involuntarily I clutched the arm of the settle for support, for I then felt that I was speaking with someone who knew more of the real things that are and will be, than I could ever know while in the body, working through the ordinary channels of sense--and this curious half-promise of a partial lifting of the veil had its undeniable effect upon me.
The breeze from the sea had died away outside, and the blossoms were still. A yellow butterfly floated lazily past the window. The song of the birds hushed--I smelt the sea--I smelt the perfume of heated summer air rising from fields and flowers, the ineffable scents of June and of the long days of the year--and with it, from countless green meadows beyond, came the hum of myriad summer life, children's voices, sweet pipings, and the sound of water falling.
I knew myself to be on the threshold of a new order of experience--of an ecstasy. Something drew me forth with a sense of inexpressible yearning towards the being of this strange old man in the window seat, and for a moment I knew what it was to taste a mighty and wonderful sensation, and to touch the highest pinnacle of joy I have ever known. It lasted for less than a second, and was gone; but in that brief instant of time the same terrible lucidity came to me that had already shown me how the past and future exist in the present, and I realised and understood that pleasure and pain are one and the same force, for the joy I had just experienced included also all the pain I ever had felt, or ever could feel. . . .
The sunshine grew to dazzling radiance, faded, passed away. The shadows paused in their dance upon the grass, deepened a moment, and then melted into air. The flowers of the fruit trees laughed with their little silvery laughter as the wind sighed over their radiant eyes the old, old tale of its personal love. Once or twice a voice called my name. A wonderful sensation of lightness and power began to steal over me.
Suddenly the door opened and the inn-keeper's daughter came in. By all ordinary standards, her's was a charming country loveliness, born of the stars and wild-flowers, of moonlight shining through autumn mists upon the river and the fields; yet, by contrast with the higher order of beauty I had just momentarily been in touch with, she seemed almost ugly. How dull her eyes, how thin her voice, how vapid her smile, and insipid her whole presentment.