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The Empty House and Other Ghost Stories (Algernon Blackwood) online
A CASE OF EAVESDROPPING
The empty room, the absence of all traces of the recent tragedy, the silence, the hour, his striped pyjamas and bare feet--everything together combined to deprive him momentarily of speech. He stared at her blankly without a word.
"Waal?" clanked the awful voice.
"My dear woman," he burst out finally, "there's been something awful--" So far his desperation took him, but no farther. He positively stuck at the substantive.
"Oh! there hasn't been nothin'," she said slowly still peering at him. "I reckon you've only seen and heard what the others did. I never can keep folks on this floor long. Most of 'em catch on sooner or later--that is, the ones that's kind of quick and sensitive. Only you being an Englishman I thought you wouldn't mind. Nothin' really happens; it's only thinkin' like."
Shorthouse was beside himself. He felt ready to pick her up and drop her over the banisters, candle and all.
"Look there," he said, pointing at her within an inch of her blinking eyes with the fingers that had touched the oozing blood; "look there, my good woman. Is that only thinking?"
She stared a minute, as if not knowing what he meant.
"I guess so," she said at length.
He followed her eyes, and to his amazement saw that his fingers were as white as usual, and quite free from the awful stain that had been there ten minutes before. There was no sign of blood. No amount of staring could bring it back. Had he gone out of his mind? Had his eyes and ears played such tricks with him? Had his senses become false and perverted? He dashed past the landlady, out into the passage, and gained his own room in a couple of strides. Whew! . . . the partition no longer bulged. The paper was not torn. There was no creeping, crawling thing on the faded old carpet.
"It's all over now," drawled the metallic voice behind him. "I'm going to bed again."
He turned and saw the landlady slowly going downstairs again, still shading the candle with her hand and peering up at him from time to time as she moved. A black, ugly, unwholesome object, he thought, as she disappeared into the darkness below, and the last flicker of her candle threw a queer-shaped shadow along the wall and over the ceiling.
Without hesitating a moment, Shorthouse threw himself into his clothes and went out of the house. He preferred the storm to the horrors of that top floor, and he walked the streets till daylight. In the evening he told the landlady he would leave next day, in spite of her assurances that nothing more would happen.
"It never comes back," she said--"that is, not after he's killed."
"You gave me a lot for my money," he growled.
"Waal, it aren't my show," she drawled. "I'm no spirit medium. You take chances. Some'll sleep right along and never hear nothin'. Others, like yourself, are different and get the whole thing."
"Who's the old gentleman?--does he hear it?" asked Jim.
"There's no old gentleman at all," she answered coolly. "I just told you that to make you feel easy like in case you did hear anythin'. You were all alone on the floor."
"Say now," she went on, after a pause in which Shorthouse could think of nothing to say but unpublishable things, "say now, do tell, did you feel sort of cold when the show was on, sort of tired and weak, I mean, as if you might be going to die?"
"How can I say?" he answered savagely; "what I felt God only knows."
"Waal, but He won't tell," she drawled out. "Only I was wonderin' how you really did feel, because the man who had that room last was found one morning in bed--"
"He was dead. He was the one before you. Oh! You don't need to get rattled so. You're all right. And it all really happened, they do say. This house used to be a private residence some twenty-five years ago, and a German family of the name of Steinhardt lived here. They had a big business in Wall Street, and stood 'way up in things."
"Ah!" said her listener.
"Oh yes, they did, right at the top, till one fine day it all bust and the old man skipped with the boodle--"
"Skipped with the boodle?"
"That's so," she said; "got clear away with all the money, and the son was found dead in his house, committed soocide it was thought. Though there was some as said he couldn't have stabbed himself and fallen in that position. They said he was murdered. The father died in prison. They tried to fasten the murder on him, but there was no motive, or no evidence, or no somethin'. I forget now."
"Very pretty," said Shorthouse.
"I'll show you somethin' mighty queer any-ways," she drawled, "if you'll come upstairs a minute. I've heard the steps and voices lots of times; they don't pheaze me any. I'd just as lief hear so many dogs barkin'. You'll find the whole story in the newspapers if you look it up--not what goes on here, but the story of the Germans. My house would be ruined if they told all, and I'd sue for damages."
They reached the bedroom, and the woman went in and pulled up the edge of the carpet where Shorthouse had seen the blood soaking in the previous night.
"Look thar, if you feel like it," said the old hag. Stooping down, he saw a dark, dull stain in the boards that corresponded exactly to the shape and position of the blood as he had seen it.
That night he slept in a hotel, and the following day sought new quarters. In the newspapers on file in his office after a long search he found twenty years back the detailed story, substantially as the woman had said, of Steinhardt & Co.'s failure, the absconding and subsequent arrest of the senior partner, and the suicide, or murder, of his son Otto. The landlady's room-house had formerly been their private residence.