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The Empty House and Other Ghost Stories (Algernon Blackwood) online

Best Ghost Stories of Algernon Blackwood

SKELETON LAKE: AN EPISODE IN CAMP

He then cut a bough to replace the lost paddles, and after one more useless search for his lost companion, he got into the canoe, fearing every moment he would upset again, and crossed over to the mainland. He knew roughly the position of our camping place, and after paddling day and night, and making many weary portages, without food or covering, he reached us two days later.

This, more or less, was the story, and we, knowing whereof he spoke, knew that every word was literally true, and at the same time went to the building up of a hideous and prodigious lie.

Once the recital was over, he collapsed, and Silver Fizz, after a general expression of sympathy from the rest of us, came again to the rescue.

"But now, Mister, you jest _got_ to eat and drink whether you've a mind to, or no."

And Matt Morris, cook that night, soon had the fried trout and bacon, and the wheat cakes and hot coffee passing round a rather silent and oppressed circle. So we ate round the fire, ravenously, as we had eaten every night for the past six weeks, but with this difference: that there was one among us who was more than ravenous--and he gorged.

In spite of all our devices he somehow kept himself the centre of observation. When his tin mug was empty, Morris instantly passed the tea-pail; when he began to mop up the bacon grease with the dough on his fork, Hank reached out for the frying pan; and the can of steaming boiled potatoes was always by his side. And there was another difference as well: he was sick, terribly sick before the meal was over, and this sudden nausea after food was more eloquent than words of what the man had passed through on his dreadful, foodless, ghost-haunted journey of forty miles to our camp. In the darkness he thought he would go crazy, he said. There were voices in the trees, and figures were always lifting themselves out of the water, or from behind boulders, to look at him and make awful signs. Jake constantly peered at him through the underbrush, and everywhere the shadows were moving, with eyes, footsteps, and following shapes.

We tried hard to talk of other things, but it was no use, for he was bursting with the rehearsal of his story and refused to allow himself the chances we were so willing and anxious to grant him. After a good night's rest he might have had more self-control and better judgment, and would probably have acted differently. But, as it was, we found it impossible to help him.

Once the pipes were lit, and the dishes cleared away, it was useless to pretend any longer. The sparks from the burning logs zigzagged upwards into a sky brilliant with stars. It was all wonderfully still and peaceful, and the forest odours floated to us on the sharp autumn air. The cedar fire smelt sweet and we could just hear the gentle wash of tiny waves along the shore. All was calm, beautiful, and remote from the world of men and passion. It was, indeed, a night to touch the soul, and yet, I think, none of us heeded these things. A bull-moose might almost have thrust his great head over our shoulders and have escaped unnoticed. The death of Jake the Swede, with its sinister setting, was the real presence that held the centre of the stage and compelled attention.

"You won't p'raps care to come along, Mister," said Morris, by way of a beginning; "but I guess I'll go with one of the boys here and have a hunt for it."

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